Measuring Responses of Music Majors and Music Technology Majors Regarding Perceived Career Potential*
John Rametta
ABSTRACT: The purpose of this study was to measure the responses of fourth year undergraduate music
majors and fourth year undergraduate music technology majors regarding their opinion of the potential their program of study offered them in attaining employment in a music-related discipline. Participants in this pilot study included 17 University of Rhode Island (URI) and 17 University of Massachusetts-Lowell (UML) students, ranging in age from 20 to 26 years. A Likert-type questionnaire was used to measure responses in three areas: (1) The students’ perception of their level of preparedness for employment; (2) The measure of their positive outlook for employment in a music-related field; (3) The extent that music technology core subjects were covered in their study. In the responses, the UML students reported receiving comprehensive training in most of the music technology core subjects including audio recording, audio lab, MIDI and electronic music, and the creation of music for multimedia, whereas the URI students reported receiving very little training in any of these disciplines. Regarding employment outlook, the results revealed that, although students from both groups generally felt well prepared for employment in their primary concentration, only 17% of URI students felt positive about the job market with 47% reporting a positive outlook for employment within 12 months of graduation. Conversely, 41% of the UML group felt positive about the job market with 88% reporting a positive outlook regarding the attainment of employment within 12 months of graduation. The study found a significant correlation between the inclusion of audio recording in the curriculum and the students’ positive outlook for employment within 12 months of graduation.
reseach papers
* This paper was awarded the URI Livingston-Zitkin Award for best gaduate paper in 2012.
An Analysis of Existing Elementary Classroom Music Composition Pedagogy And the Potential For Its Use In the Music Composition Studio
John Rametta and John Prevedini
ABSTRACT: The purpose of this study was to examine existing pedagogy methods employed in elementary school music composition classrooms in order to determine which, if any of the methods, have significant potential for use in the music composition studio. This paper asked the research questions: (1) What are the essential stages of music composition pedagogy appropriate for the elementary-aged student? (2) What pedagogical techniques are most effective for use in the elementary-age music composition studio setting? The stages involved in the music composition process were researched and analyzed. Current elementary school methods for teaching music composition were researched and compared, including the Orff approach as well as five other well-cited methods. Three methods, resulting from a combination of elements from these six techniques, were tested in a practical studio setting with three primary age students, each with limited musical training. All of the lessons were videotaped. This case study analyzes the results of each of the three methods, comparing for similarities, differences, and correlations. Recommendations are offered regarding the most effective teaching tools for music composition in an elementary-aged studio setting. Further study is indicated, and recommendations are offered for future music composition pedagogy.